I wonder if this hybrid art in some ways is meant to be similar to the art of Byzantium ( 300 – 1400) like for instance John Chrystostomos in the Aya Sophia or for instance “God’s Lamb” Jan van Eyck ( 1390 – 1441). If so, it may be a viable option. Religious art has no doubt produced great masterpieces before.
However I don’t think it to be a fertile idea to make art an official instrument of any authority, be it a state, an ideology or a religion. That would at odds with the very quintessence of art as a totally free enterprise – the way it usually is defined today. It has been tried before and failed miserably ( neither the Sowjet Union nor the Saudi’s had/have any worthwhile official art life).
I go along with what colson says : “the very quintessence of art as a totally free enterprise.”
And like what Chairman Mao once said, “let flowers bloom”, in this regard, creativity in art should not stymied.
I always marvel at the various art forms of Islamic calligraphy.
I have been a longtime fan of Hassan Massoudy whom I think shows great artistry in modern Islamic calligraphic art. His works can be seen at :
[...] Agus Priyatno of the State University of Medan (Unimed) says Indonesian culture is “being torn in two directions, with two competing influences, Islamization or Islamification, and westernisation or occidentalization.” [Indonesia Matters] [...]
i go along with what colson says
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